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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • Valhalla Delay v2.5.1 macOS-RET
    March 12th, 2024 ⚡
    Categories: AU, macOS, VST, VST3, x64, x86

    Valhalla Delay v2.5.1 macOS-RET

    Valhalla Delay v2.5.1 macOS

    Team RET | 11 January 2024 | 3.0 MB

    PLATFORM: AU/VST2/VST3

    Best for Echoes, Looping, All Things Delay

    Valhalla Delay is our take on classic and modern delay and echo units. Tape echo, BBD, old-school digital, pitch shifting – we’ve got you covered. ValhallaDelay offers the classics, and expands them into new dimensions, with the unique Ratio and Quad delay styles, the Ghost mode (which adds frequency shifting), and a powerful diffusion section that can create anything from smeared echoes to ethereal reverbs. Set the controls for the heart of the sun with ValhallaDelay.



    Viewed 36563 By Music Producers.


    • Valhalla Plate v1.6.8 macOS-RET
      March 12th, 2024 ⚡
      Categories: AU, macOS, VST, VST3, x64, x64

      Valhalla Plate v1.6.8 macOS-RET

      Valhalla Plate v1.6.8 macOS

      Team RET | 11 January 2024 | 3.1MB

      You will ride eternal, shiny and chrome.

      ValhallaPlate is our algorithmic take on the classic plate reverberation sound. Seven original algorithms emulate the sound and behavior of real world steel plate reverbs, and take the sound into dimensions that physical plates can’t touch.



      Viewed 36199 By Music Producers.


      • HawkEye v1.0.0 WiN MAC-R2R
        March 12th, 2024 ⚡

        HawkEye v1.0.0 WiN MAC-R2R-MaGeSY

        HawkEye v1.0.0 WiN MAC

        TEAM R2R | 15.02.2019 | WiN: 8.95 MB | MAC: 8.03 MB

        WiN32/64 – VST/VST3/AAX(MODiFiED) | MacOSX – APP/AU/VST/VST3

        HawkEye comprises the most versatile audio measuring instruments in one toolset. It has been developed with the highest precision in mind to set a new standard in audio analyzing. Unique features like bit-depth analysis and high-frequency monitoring offer a new window into the world of high-resolution audio recordings. The user experience follows aviation industry guidelines for designing cockpit instruments. Therefore, HawkEye presents all information uncluttered, minimizing eyestrain over extended periods of use. HawkEye’s main view shows all measurement instruments within a single window, yet this is only one mode of operation. To be as flexible as possible any instrument can be undocked in its own resizable window by a simple double-click, and then freely arranged on your screen!



        Viewed 28029 By Music Producers.


        • AGT v3.6.0 AAX AU VSTi VST3 x64 WiN MAC
          March 11th, 2024 ⚡

          AGT v3.6.0 AAX AU VSTi VST3 x64 WiN MAC

          AGT v3.6.0 WiN MAC

          P2P | 04 October 2022 | 5.21GB

          ..:: STANDALONE, AAX, AU, VSTi, VST3, x64 ::..

          Ample Guitar T aim to bring a Taylor 714CE Acoustic Guitar sound to your studio.



          Viewed 171543 By Music Producers.


          • E-Lab Obsession VSTi AU HYBRiD DVDR-DELiRiUM
            March 11th, 2024 ⚡
            Categories: AU, macOS, VSTi, WiNDOWS, x86

            E Lab Obsession Vsti Au Hybrid Dvdr Delirium

            E-Lab Obsession VSTi AU HYBRiD

            DELiRiUM | 14 October 2004 | 3.50 GB

            3.7 GB RnB & HipHop sound library.

            With the blurring of lines between software instruments and CD sample libraries, a new class of instrument seems to have emerged, dedicated not to a particular type of synthesis or sound, but to specific genres of music. One of the best examples of this comes from the Swedish company e-LAB, in the form of Obsession – a VSTi/Audio Units plug-in sample player offering you “smooth and sexy R‘n’B and hip hop sounds with Neptunian beats, hyperactive Timbalandish grooves and smooth, lounging MPC loops”



            Viewed 72950 By Music Producers.


            • Dusty Fingers v1.0.1 AU VST WAV AiFF WiN MAC
              March 11th, 2024 ⚡

              Dusty Fingers v1.0.1 AU VST WAV AiFF WiN MAC

              Dusty Fingers v1.0.1 WiN MAC

              MAC VST: 760.87 MB | MAC AU: 760 MB | WAV & AiFF: 396 MB

              WiNx64 VST: 753.53 MB | WiNx86 VST: 753.33 MB

              Dusty Fingers is a VST/AU Instrument + Samples WAV and AIFF 24-bit 44kHz, with vinyl style sounds. Includes 23 soundpacks / expansions, with 24 samples per expansion, distributed from C4 to C6 and compatible with the keyboard of your computer, so you can play from the first moment. What sounds will you find at each expasion? You have 14 soundpacks called DF-EXP01 to DF-EXP14, in them you have all the sounds combined. In the expansions called DFSounds01 to DFSounds09 you have the individual sounds, with 24 samples per expansion, a single sample distributed from C4 to C6. If you want you can use the effects of vinyl as preset to apply to your own sounds.



              Viewed 20462 By Music Producers.

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              • TE-100 v1.1.3 U2B AU VST VST3 64Bit macOS-MORiA
                March 10th, 2024 ⚡
                Categories: AU, macOS, U2B, VST, VST3, x64, x64

                TE-100 v1.1.3 U2B AU VST VST3 64Bit macOS

                TE-100 v1.1.3 macOS

                MORiA | 10 March 2024 | 31.9 MB

                The original KLEIN & HUMMEL UE-100® EQs are extremely rare and expensive. But Rafa Sardina – who has 12 Grammy wins and 35 nominations – owns 10 of them! What is so special about this weird and wonderful device? For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that. This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.”



                Viewed 57307 By Music Producers.


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