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  • PatchWork v2.43 WiN MAC-R2R
    January 15th, 2021

    PatchWork v2.43 WiN MAC-R2R

    PatchWork v2.43 WiN MAC

    Team R2R | 15 Jan 2021 | WiN: 36.8 MB | OSX: 355.4 MB

    WiN32/64 – EXE/VST/VST3/AAX | MacOSX – APP/AU/VST/VST3/AAX

    “The virtual patchbay for audio plug-ins”

    PatchWork is a universal plug-ins patchbay that can host up to 64 VST plug-ins into any Digital Audio Workstation (DAW) in one instance. It is possible to chain effects in series or create up to 8 parallel chains that can be activated independently. This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. These configurations can be saved as presets and recalled instantly, or shared with multiple DAWs, using any plug-in format (full list below). Despite the name, you can forget about wires or cables: configuring plug-ins routing is as simple as adding or removing a row or a column in the rack’s matrix.



    Viewed 36218 By Music Producers.


    • RealRick v4.0.5.7471 AAX STANDALONE VSTi VST3 WiN-R2R
      January 15th, 2021

      RealRick v4.0.5.7471 AAX STANDALONE VSTi VST3 WiN-R2R

      RealRick v4.0.5.7471 WiN

      Team R2R | 15 Jan 2021 | 514.3MB

      PLATFORM: WiN32/64 – STANDALONE/VST/VST3/AAX

      In the early 1960s Rickenbacker® history became forever wedded to one of the biggest music upheavals of the 20th century: the invasion of the mop-top Beatles from magesy download Liverpool, England. The Beatles created unprecedented, international interest in Rickenbackers. John Lennon would own at least four models, George Harrison’s double-bound 360/12 (the second one made by the company) defined a new tone at the other end of the audio spectrum. Its ringing sound embellished “You Can’t Do That”, “Eight Days a Week”, “A Hard Day’s Night”, “Ticket To Ride” to name just a few. Jim McGuinn made the bell-like quality of its tone the foundation of the Byrds’ early style. The Who’s Peter Townshend, Creedence Clearwater Revival’s John Fogerty, Steppenwolf’s John Kay, and many other well-known 1960s guitarists became faithful Rickenbacker® users. Groups like Oasis, Pearl Jam, Radiohead, U2, and other of today’s top acts include Rickenbacker® guitars in their musical arsenal. Rickenbacker® is the principal guitar of artists such as R.E.M.’s Peter Buck and Against Me!’s Laura Jane Grace, and many others.



      Viewed 1434 By Music Producers.


      • Archetype: Gojira v1.0.0 (AAX FiXED) WiN-R2R
        January 15th, 2021
        Categories: AAX, Audio Software, VST, VST3, x64, x64

        Archetype Gojira v1.0.0 WiN-R2R

        Archetype: Gojira v1.0.0 WiN

        Team R2R | Jan 15 2021 | 274 MB

        PLATFORM: WiN64 – STANDALONE/VST/VST3/AAX(MODiFiED)

        Archetype: Gojira covers as vast a ground as the bands’ iconic compositions. From clean, mellow ambient sounds to the most obliterating high gain, Archetype: Gojira provides enough options for you to create your own iconic sounds. Two brand-new algorithms to ingratiate the Pitch Effects section, giving you unparalleled flexibility for crafting and tweaking your tone. Wow A MIDI-programmable pitch shifter pedal with 3 different modes providing ultimate control over the additional octave and pitch sweep. Tracking better than the best analog equivalent, nothing is stopping you from magesy download nailing Stranded now. Oct A polyphonic octaver pedal capable of adding two independent octaves, one -1 octave and the other -2 octaves below your dry signal. You’ve never played riffs this heavy.



        Viewed 2713 By Music Producers.


        • Flatline: Mastering Maximizer v1.0.1 WiN-R2R
          January 15th, 2021
          Categories: AAX, VST3, WiNDOWS, x64

          Flatline Mastering Maximizer v1.0.1 WiN-R2R

          Flatline v1.0.1 WiN

          Team R2R | 15 Jan 2021 | 2.8MB

          PLATFORM: WiN64 – VST3/AAX(MODiFiED)

          Dominate your master

          Flatline is the last clipper you’ll ever need – bringing you the sound of pushing premium, world-class converters at a fraction of the cost. Designed with ultimate workflow in mind, it turns your mix into a world-class stream, CD or radio-ready master in a matter of seconds. Using industry-leading code, it offloads processing onto the GPU – leaving you with power to spare where it matters most (the mix!). Instead of overwhelming you with options, Flatline instead focuses and hones in on the “secret weapon” technique of high-end mastering houses since the 2000s: The sound of clipping top-tier digital converters. This is the sound you grew up with, and it’s finally within your reach. Developed in concert with professional mastering engineers to give you only what you need, with no fluff, Flatline is a powerhouse tool: Equally at home in a project studio as it is in a high-end mastering facility.



          Viewed 2499 By Music Producers.


          • DSEQ v2.2.4 AAX VST VST3 x86 x64 WiN-R2R
            January 15th, 2021
            Categories: AAX, VST, VST3, WiNDOWS, x64, x64, x86, x86

            DSEQ v2.2.4 AAX VST VST3 x86 x64 WiN-R2R

            DSEQ v2.2.4 WiN

            Team R2R | January 15 2020 | 5.47 MB

            PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

            DSEQ is a dynamic processor working in the frequency domain.DSEQ is removing digital harshness on the fly thanks to self-adjusting frequency bands. DSEQ works fully in the frequency domain, providing very high frequency selectivity thanks to self-adjusting dynamic equalizers. DSEQ does its job with highest transparency even pushed hard. This avoids distortion, phasing and artefacts even with very critical sound material. And DSEQ offers several quality modes taming even singular frequencies. On top DSEQ provides a very easy to use interface. With just a few parameters (threshold, selectivity and attack/release) a broad range of applications can be covered. Even the initial parameter set could make your mix more transparent. Just pick the threshold parameter and lower it step by step. From there you can start focusing on specific frequency regions by using the pre-filters.



            Viewed 39632 By Music Producers.


            • FinalLoud 3 v3.0.5 AAX VST VST3 x86 x64 WiN-R2R
              January 15th, 2021
              Categories: AAX, VST, VST3, WiNDOWS, x64, x64, x86, x86

              FinalLoud 3 v3.0.5 AAX VST VST3 x86 x64 WiN-R2R

              FinalLoud v3.0.5 WiN

              Team R2R | 15.01.2021 | 5.42 MB

               PLATFORM : WiN32/64 – VST/VST3/AAX(MODiFiED)

              FinalLoud 2 is a loudness and True Peak finalizer tool. It is the successor of FinalLoud. FinalLoud 2 solves quickly a very common challenge in audio engineering: reaching a certain target loudness level for any audio material while maintaining given True Peak ceiling. Therefore FinalLoud 2 combines a gain control, a high quality True Peak limiter and an accurate loudness meter under an easy-to-use interface. The gain control pushes the loudness level to the target level and in parallel the limiter ensures the True Peak ceiling.



              Viewed 51707 By Music Producers.


              • gEQ12 v4.0.1 AAX VST3 VST x86 x64 WiN-R2R
                January 15th, 2021
                Categories: AAX, VST, VST3, WiNDOWS, x64, x64, x86, x86

                gEQ12 v4.0.1 AAX VST3 VST x86 x64 WiN-R2R

                gEQ12 v4.0.1 WiN

                Team R2R | January 15 2020 | 4.8 MB

                PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED

                gEQ12 is 12 band stereo/MS graphic equalizer with accurate spectrum analyzer and minimum/linear phase modes. Today’s mixing and mastering processes require a full featured but easy to use equalizer which can accurately shape the tone of a track , bus or master track. eEQ12 provides all necessary tools in one package paired with some unique features. The display shows the spectrum curve of incoming and outgoing signal. gEQ12 has the unique feature that the outgoing spectrum is directly calculated from magesy download incoming spectrum (incoming spectrum – filter curve = outgoing spectrum). This allows you to capture the incoming signal, to freeze it and to modify then the filter curve based on the altered outgoing spectrum. The filter response is controlled by 12 individual filter bands. Each filter band has its own display handle, which can be adjusted by mouse.



                Viewed 25859 By Music Producers.




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