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  • Defacer v1.0 WiN MAC RETAiL
    January 22nd, 2021
    Categories: AAX, AU, macOS, VST, VST3, WiNDOWS, x64, x86

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    Defacer v1.0 WiN MAC RETAiL

    P2P | 27.05.2019 | 26.4 MB

    …::: AAX, AU, VST2, VST3, x86, x64 :::…

    Defacer is an all-purpose 2 channel audio mangler designed to destroy and rearrange any sound you throw at it. Use it to make guitars sound like a broken synth or add a touch of robot-ness to vocals, when the sound calls for it, Defacer is there! Featuring low-pass filters & distortions on each channel you are free to destroy audio to your heart’s content. Try it on all kinds of sources!



    Viewed 12352 By Music Producers.

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    • ShapeShifter v1.1 WiN MAC-FLARE
      January 20th, 2021
      Categories: AAX, AU, macOS, VST3, WiNDOWS, x64

      ShapeShifter v1.1 WiN MAC-FLARE

      ShapeShifter v1.1 WiN MAC

      FLARE | 20 January 2021 | WiN: 31.0 MB | OSX: 35.2 MB

      .: AU, AAX, VST3, x64 :.

      Inspired by SketchCassette’s NR Comp algorithm, ShapeShifter is a one-of-a-kind dynamics remodeler and character compressor that will completely transform the shape of your sounds. ShapeShifter molds a blend of multi-band upward and downward compression into a toolbox for adding color, body, and grit to your sounds. This can take the form of anything from magesy download a subtle vibe boost to blown-open, raucous carnage.



      Viewed 9985 By Music Producers.


      • AVA Bass Flow v1.0.0 WiN-R2R
        January 20th, 2021
        Categories: AAX, VST, VST3, WiNDOWS, x64, x64

        AVA Bass Flow v1.0.0 WiN-R2R

        AVA Bass Flow v1.0.0 WiN

        Team R2R | 20 Jan 2021 | 5.8MB

        PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

        AVA Bass Flow is a channel strip plug-in designed for mixing bass. It contains 4 routable processing elements and a master section with input, output, and routing controls.



        Viewed 3217 By Music Producers.

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        • AVA Vocal Flow v1.1.0 WiN-R2R
          January 20th, 2021
          Categories: AAX, VST, VST3, WiNDOWS, x64, x64

          AVA Vocal Flow v1.1.0 WiN-R2R

          AVA Vocal Flow v1.1.0 WiN

          Team R2R | 20 Jan 2021 | 5.8 MB

          PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

          The AVA Vocal Flow is an all-in-one signal processing suite for mixing vocals in your music. It contains 7 routable signal processing elements along with input and output controls. The AVA-VF is a “greatest hits” compilation of most sought-after console elements, specifically selected for mixing vocals!



          Viewed 16821 By Music Producers.


          • FX Collection 2021-01 WiN CE REV-2-V.R
            January 20th, 2021
            Categories: AAX, VST, VST3, WiNDOWS, x64

            FX Collection 2021-01 WiN CE REV-2-V.R

            FX Collection 2021-01 WiN

            Team V.R | 20 January 2021 | 1.21 GB

            (Win64; AAX, VST3, VST)

            Treat your sound right

            The result of decades of dedicated research, analysis, and modelling, these 15 superb effects will totally transform the way you record and mix your music. Combining history’s finest outboard effects, console components, and pedals with fresh, contemporary features and abilities, FX Collection is an essential tool for the modern producer.



            Viewed 48203 By Music Producers.


            • Weiss EQ1 v2.5.12 WiN-R2R
              January 20th, 2021
              Categories: AAX, Softube, VST, VST3, WiNDOWS, x64, x64

              Weiss EQ1 v2.5.12 WiN-R2R

              Weiss EQ1 v2.5.12 WiN

              Team R2R | 2021.01.20 | 10 MB

              PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

              There’s a reason Weiss Engineering’s EQ1 has been at the top of the heap since its release in 1996. The EQ1’s dazzling sonic qualities combined with its flexibility as either a Minimum Phase EQ, a Linear Phase EQ, or a Dynamic EQ have made it the must-have digital mastering equalizer. The Weiss EQ1 plug-in crystallizes that legacy—in software form. Weiss Engineering’s go-to hardware and Softube’s workflow and ergonomic advancements combine here to stunning effect. A one-for-one, line-by-line code port of the original, the EQ1 plug-in is the latest and greatest addition to Softube’s successful partnership with Weiss Engineering. EQ1 joins DS1-MK3, MM-1, and more out-of-this-world Weiss + Softube products to prove that Swiss and Swedish engineering make a stellar pair.



              Viewed 5898 By Music Producers.


              • SketchCassette II v2.1 WiN MAC-FLARE
                January 20th, 2021
                Categories: AAX, AU, macOS, VST3, WiNDOWS, x64

                SketchCassette II v2.1 WiN MAC-FLARE

                SketchCassette II v2.1 WiN MAC

                FLARE | 20 January 2021 | WiN: 36.3 MB | OSX: 57.7 MB

                .: AU, AAX, VST3, x64 :.

                Inspired by 4-track cassette recorders, ​SketchCassette II ​is designed to introduce a wide array of lo-fi effects into your mixes. From subtle warble to unearthed-from-the-attic destruction, ​SketchCassette II unlocks the full range of cheap tape sounds, while also offering the flexibility and control to push your sounds even further into total lofi weirdness.



                Viewed 5193 By Music Producers.


                • TBPA Plugins Pack 2021.01 WiN CE-V.R
                  January 20th, 2021

                  TBPA Plugins Pack 2021.01 WiN CE-V.R

                  TBPA Plugins Pack 2021.01 WiN

                  Team V.R | 20 January 2021 | 63.77 MB

                  (Win32/64; AAX*, RTAS, VST3, VST, STANDALONE)



                  Viewed 167464 By Music Producers.


                  • Wurlitzer v2.0 AU AAX VSTi KONTAKT WiN MAC-DECiBEL
                    January 19th, 2021
                    Categories: AAX, AU, KONTAKT, macOS, VSTi, WiNDOWS

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                    Wurlitzer v2.0 WiN MAC

                    Team DECiBEL | 23 Sep 2019 | ~10 GB

                    …::: AU, AAX, VSTi, KONTAKT :::…

                    Wurlitzer virtual instrument plugin was sampled from magesy download an “early model” 1970’s Wurlitzer 200A electronic piano. The process began by close-miking the piano with Beyerdynamic MC930 condenser microphones on the Wurlitzer’s built-in speakers, and an AEA R84 Ribbon Mic on the line-out signal through a Fender Deluxe Reverb Amp. These signals were fed into Grace M101 and AEA TRP Preamps respectively. The wurlitzer’s amplifier and preamp were re-capped in an attempt to save the amplifier, but about half way through the sampling process the amplifier died, which eventually killed the power transformer. The preamp, amp, and power transformer were all replaced and sampling continued. Well sampling the bass notes, it became apparent that the Wurlitzer’s built in speakers also needed to be replaced.



                    Viewed 24332 By Music Producers.


                    • God Mode v1.0.1 WiN MAC RETAiL-SYNTHiC4TE
                      January 18th, 2021
                      Categories: AAX, AU, macOS, VST, VST3, WiNDOWS, x64

                      God Mode v1.0.1 WiN MAC RETAiL-SYNTHiC4TE

                      God Mode v1.0.1 WiN MAC

                      SYNTHiC4TE | May 22 2020 | WiN 4.7 MB | OSX 14.7 MB

                      VST, VST3, AU, AAX, x64

                      The God Mode introduces a new push-pull technology giving you full control over what frequencies to saturate and distort. It’s node EQ graph and linear phase filters allow for unlimited options to shape the coloration of your sound. The push-pull technology is inspired by the legendary analog Pultec EQ, a passive tube eq from magesy download the 50s, widely used in the 70s/80s for both broadcasting and mixing. The Pultec EQ would ‘push’ the gain for a certain frequency range into its tube circuit, and would then ‘pull’ it back again, to smooth out the frequency response. This creates a sound close to the original but with a nice warmth added to the boosted frequency ranges. The God Mode introduces a modern version of this technique. The first step to using the God Mode is to boost or ‘push’ certain frequencies in your track that you like to be more saturated or distorted. You can for example use one shelf to boost the highs and one peak to boost a certain color or resonance. Because you push these frequencies harder into the saturation algorithm, they will be naturally more affected by it. The second step is to decide if and how much ‘pull’ to apply to the boosted frequencies. This gives you creative control over the amount of coloration and the option to create a perfectly balanced frequency response for your track.



                      Viewed 30772 By Music Producers.




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